Play Details
Context
Artistic Director
Max Stafford-Clark
Co-production with The Wrestling School
Dates Performed
Thursday 4th January 1990
Jerwood Theatre Downstairs
Form
Play Details
Synopsis
England, an indeterminate time
This prequel unfolds the early chapters of Lear’s life, revealing the origins of iconic characters. A once-respected minister becomes the Fool; a mere vagrant is elevated to the Earl of Gloucester; and Lear’s intricate relationship with Clarissa brings forth three daughters. Amidst this tale, the chorus of the Gaoled yearn for justice. Told in seven chapters and an interlude, the narrative gracefully weaves through Lear’s youth to the pinnacle of his reign, echoing Shakespearean style and seamlessly blending philosophy with politics, love, and the unpredictable.
Cast & Creative
Cast
Nicholas Le Prevost
Cast
Julie Kate-Olivier
Cast
Benny Young
Cast
Jane Bertish
Cast
Jemma Redgrave
Cast
Philip Franks
Cast
Philippa Vafadari
Cast
Roger Frost
Cast
Tricia Kelly
Designer
Dermot Hayes
Lighting
Ace McCarron
What our readers say
What is it like reading this play now? How has it aged?
Though rich in action, the play is also laden with intricate text. Barring a few lower-status characters who speak sparingly, the dialogue is sophisticated, intellectual, and at times, esoteric. There’s a certain charm in this – the characters revel in their eloquence. Yet, there’s an irony that a play inspired by Shakespeare, whose language today is deemed ‘challenging’, also occupies a linguistic realm that, upon contemporary reading, feels somewhat removed.
What does it tell us about the past and the present?
For those who know Shakespeare’s “King Lear”, this play provides intriguing insights into the backgrounds of its key characters. Imagine Cordelia’s bond with her family being traced back to a traumatic childhood event, or the sisters growing up while watching their mother and grandmother vie for their father’s affection. There’s also the surprising backstory of the Fool, who once was a respected minister and took on the jester’s role not by choice but by circumstance. While these tales are set in days long past, the play’s central themes – the allure and pitfalls of power, personal ambition, and the ongoing debate over England’s royal authority – remain strikingly relevant today, showing us that some stories, challenges, and questions are truly timeless.
If you like this play you might also like…?
Shakespeare’s King Lear, and other plays inspired by it: Lear by Edward Bond, Lear’s Daughter’s by Elaine Feinstein, King Charles III by Mike Bartlett